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notion of the glorious original, but of the Athena Parthenos we have not even this relic. I decline to follow the text-books on Greek architecture by presenting the woolly-headed “Jove of Otricoli” or the well-groomed but fatuous old senator known as the “Dresden Zeus” for the work of Pheidias. Nor will I insult him by depicting the Parthenos by means of the stumpy “Varvakeion” or the inchoate “Lenormant” statuettes. Such

PORTIONS OF THE EAST FRIEZE OF THE PARTHENON

Mansell & Co.

caricatures only disturb our judgment. For these statues we had better trust our imaginations, working upon what Pliny tells us: “The beauty of the Olympian Zeus seems to have added something to the received religion, so thoroughly does the majesty of the work suit the deity.”

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