their beloved city of Athens. He depicted them at ease; only their added dignity of countenance and their greater stature (their heads reach the cornice, though they are seated) indicates their divinity. They are not overladen with attributive emblems. They are at home in Athens. They sit, they almost lounge, in comfortable attitudes. Dionysus leans on the shoulder of young Hermes. Ares, the dreadful Thracian warrior, has left his armour at home; he rests pleasantly with his right knee clasped in his hands. Hera unveils her head, turning to say a word to her royal husband, who sits a little apart in his simple dignity. Athena, the heroine of the hour, is marked by no pomp; she is
Plate 44.—The Lemnian Athena.
conversing in friendly fashion with Hephæstus. Apollo turns his beautiful head to say a word to the grave Poseidon. Eros is a naked human boy leaning at