goggle-eyed figures. All the Cretan artists insisted on the waist to a degree which would seem to the modern shop-girl an exaggeration. Even in Egypt the small waist was regarded as a characteristic of the Keftiu—the men from the Isles of the Sea. The broad shoulders of the men no doubt are intended to symbolise strength. Along with vases and “idols” are found seals whose emblems show traces of the influence of Egypt under the Sixth Dynasty (? 2540 B.C.).
Terra-cotta Figure, from Petsofà
Now we take a great upward leap into the “Middle Minoan” periods of Sir Arthur Evans. Here we find the earliest writing of Europe, clay tablets inscribed with a pictographic script. The clay figures are extremely elaborate presentments of the costume of the day; and a highly elaborate costume it is. Colour is freely employed on idols and pottery. The patterns pass into spirals, and occasionally there is direct imitation of Nature—goats,